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Posted by therealmorticia

https://www.transformativeworks.org/collection-tags-and-improvements-to-collection-filters/

https://www.transformativeworks.org/?p=268822

We’ve just given the code for collection browsing and filtering a much-needed overhaul! In addition to some long overdue performance improvements, this update introduces collection tags — a new way to find collections featuring the fandoms, relationships, tropes, and other topics you enjoy.

How do collection tags work?

Collection owners can now use up to 10 tags of any type (What are the different types of tags?) to describe their collection. The tags are listed on the collection blurb, and the collection filters have a new “Filter by tag” autocomplete field to help users find collections matching their interests.

While it is possible to use brand new tags on collections, we strongly encourage owners to use existing canonical tags or their synonyms. This makes it easier for users to find your collection using the autocomplete options in the collection filters.

We’ve also added a “Multifandom” option specifically for collections that feature a wide variety of fandoms. Collection owners can select this option to help users find collections where the focus isn’t a specific fandom, but rather a theme like fanvids of old films or fic written in first person. We think this will be particularly useful for users whose fandoms don’t have their own prompt memes or gift exchanges, but who want to find challenges they might be able to participate in.

Please note that while we encourage collection owners to start using the “Multifandom” option right away, there are a few more changes we need to make before it will be possible to filter collections based on their multifandom status. We’ll update this post when multifandom filtering becomes available.

What about existing collections?

Together with the collection tags feature going live, we automatically tagged existing collections with the fandoms from their works and bookmarks, as well as any works or bookmarks in their subcollections.

Additionally, collections with more than one unrelated fandom were automatically marked as multifandom. We used our tag wrangling system to determine whether fandoms are related, just like we do when marking works as crossovers. Collections with more than 10 fandoms (the limit for collection tags) were marked as multifandom but did not have any fandom tags added.

Collection owners are welcome to edit their collection and change any information we automatically added.

Other changes

As part of the browsing and filtering overhaul, there are a few other noticeable changes to collections.

• Subcollections are now listed on the main Collections page and included in the results when filtering.
• In order to make room for collection tags, we’ve combined the list of owners and moderators in blurbs, similar to the way they’re combined on the collection profile. Because we know this distinction may be important to some users, we’ve made it possible to style owners and moderators separately by using the a.owner and a.mod selectors in a site skin. (Your styles will apply in the blurb and on the collection profile.)
• The Open Challenges page, including the Open Gift Exchanges and Open Prompt Memes pages, now list collections that are closing the soonest at the top of the page.

https://www.transformativeworks.org/collection-tags-and-improvements-to-collection-filters/

https://www.transformativeworks.org/?p=268822

Posted by Elintiriel

https://www.transformativeworks.org/transformative-works-and-cultures-releases-issue-no-46/

https://www.transformativeworks.org/?p=268791

Transformative Works and Cultures has released No. 46!

In the opening editorial of this issue, the editors explain that the journal is focused on diversifying fan studies by diversifying “the scholarly grounds upon which we do our work” to work against “the existence of a sort of canon of fan studies scholarship”.

Over the last year, the editors goal has been to “make room for the fandom killjoys (Pande 2018) and troublemakers who can unsettle those foundations” and this general issue continues to engage with that work.

Each issue includes articles representing theory, fannish meta, and book reviews, such as the following:

• Disordered eating, disordered reading: Wintergirls and the fannish practices of pro-ana
• Teaching with fandom: Promoting student subject engagement and critical reflection through fan fiction writing
• Polyphemus ❤️ Acis: The conduit in Ovid’s Metamorphoses

Further, this issue introduces a new special section, “New Currents,” which collects articles on new topics or approaches at a smaller scale than a special issue. In this issue, New Currents focuses on how fans and fan studies scholars engage with AI as a tool for transformative engagement with fannish texts. It features four articles and two symposium pieces, along with an introduction by the section’s guest editors, Suzanne R. Black and Naomi Jacobs.

TWC’s current calls for papers include the following issues:

• Music Fandom, papers due 01/01/26
• Latin American Fandoms, papers due 01/01/26

We accept submissions for our general issues on a rolling basis. The general issue is always released on September 15.

https://www.transformativeworks.org/transformative-works-and-cultures-releases-issue-no-46/

https://www.transformativeworks.org/?p=268791

Posted by Lute

https://www.transformativeworks.org/protect-your-contact-information-from-scammers/

https://www.transformativeworks.org/?p=268786

In the last year, AO3 has seen a rise in “art commission” spambot comments. The bots leaving these comments pretend to be artists who want to make comics or illustrations for a fan’s fic. After convincing their targets to contact them off AO3, they scam their targets into paying for that art. Fans have reported that after sending payment, they either received AI-generated art or nothing at all.

AO3 has been working on various methods that we hope will reduce the spam. However, these scammers are persistent and creative about circumventing our protections.

To avoid falling victim to one of these scams, the Policy & Abuse committee recommends:

1. Do not commission art from someone who solicits you by commenting on your work on AO3. Commercial activity is prohibited on AO3. If someone is encouraging behavior that violates our Terms of Service, it’s a good idea to be cautious. They likely do not have your best interests in mind.
2. Do not provide your email or social media contact information to a commenter who asks for it, even if they say they’d just like to discuss your work further. Scammers try to get you to talk to them privately, because it is often easier to deceive or manipulate people in a one-on-one conversation.

Example of this type of scam

This is just one example of how a scammer tries to lure the work creator onto a different platform where they can pressure the creator into commissioning art. These scammers use AI to generate realistic-sounding comments. The comments often contain generic praise or statements that could apply to any work, but sometimes they are extremely lengthy and/or specific. If the creator is suspicious and asks why the scammer wants to move the conversation off-site, they will typically claim that they aren’t a scammer and/or that they can explain things better in private.

However, unlike a regular user, a scammer will always do at least one of two things:

1. They will ask you to commission art from them, or
2. They will share their contact information and/or ask for your information (such as an email address or username on a site that supports private messaging, like Instagram or Discord)

If you suspect that you’ve received a spam comment on your work, don’t reply and especially do not provide them with your contact information. Just report the comment to Policy & Abuse so that we can take care of it.

What to do if you encounter this scam

If you receive a scam comment from a guest, you can press the “Spam” button on the comment. This helps train our automated spam-checker to better detect this type of behavior.

If you encounter a scammer that has a registered account, or if you encounter a guest posting scam comments on someone else’s work, please report them to the Policy & Abuse committee. To do so:

1. Select the “Thread” button on the scammer’s comment. This will take you to the specific comment page.
2. Scroll to the bottom of the page and select Policy Questions & Abuse Reports.
3. In the “Brief summary of Terms of Service violation” field, enter “Spambot”.
4. In the “Description of the content you are reporting” field, enter “This is a spambot, their username is USERNAME.”

Reporting in this fashion helps us auto-sort your report so that it can be handled as soon as a Policy & Abuse volunteer is available. To help us address reports about these types of bots as fast as possible, please only submit one report per account, and don’t include multiple accounts in the same report.

If you encounter a scam commenter on someone else’s work, you can let the work creator know the commenter is likely a bot and link them to this news post.

We also encourage you to share this post on social media and help spread the word about how to protect yourself from scammers and reduce spam on AO3.

https://www.transformativeworks.org/protect-your-contact-information-from-scammers/

https://www.transformativeworks.org/?p=268786

Posted by therealmorticia

https://www.transformativeworks.org/the-pinky-and-the-brain-page-is-moving-to-the-ao3/

https://www.transformativeworks.org/?p=268665

The Pinky and the Brain Page, a Pinky and the Brain fanfiction and fanart archive, is being imported to the Archive of Our Own (AO3).

In this post:

• A bit of background explanation
• What this means for creators who had work(s) on The Pinky and the Brain Page
• And what to do if you still have questions

Background explanation

James, the archivist, used to run and maintain a Pinky and the Brain fandom site from around 1995 to 2000. When he recently found some of the stories in an old hard drive he searched the Internet for some of them, but his searches came up empty. Rather than letting those stories sit unread he thought he would rather they be shared on the AO3 for people to enjoy and remember.

The purpose of the Open Doors Committee’s Online Archive Rescue Project is to assist moderators of archives to incorporate the fanworks from those archives into the Archive of Our Own. Open Doors works with moderators to import their archives when the moderators lack the funds, time, or other resources to continue to maintain their archives independently. It is extremely important to Open Doors that we work in collaboration with moderators who want to import their archives and that we fully credit creators, giving them as much control as possible over their fanworks. Open Doors will be working with James to import The Pinky and the Brain Page into a separate, searchable collection on the Archive of Our Own. As part of preserving the archive in its entirety, all fanfics and fanart currently in the The Pinky and the Brain Page will be hosted on the OTW’s servers, and embedded in their own AO3 work pages.

We will begin importing works from The Pinky and the Brain Page to the AO3 after September 2025. However, the import may not take place for several months or even years, depending on the size and complexity of the archive. Creators are always welcome to import their own works and add them to the collection in the meantime.

What does this mean for creators who had work(s) on The Pinky and the Brain Page?

We will send an import notification to the email address we have for each creator. We’ll do our best to check for an existing copy of any works before importing. If we find a copy already on the AO3, we will add it to the collection instead of importing it. All works archived on behalf of a creator will include their name in the byline or the summary of the work.

All imported works will be set to be viewable only by logged-in AO3 users. Once you claim your works, you can make them publicly-viewable if you choose. After 30 days, all unclaimed imported works will be made visible to all visitors.

Please contact Open Doors with your The Pinky and the Brain Page pseud(s) and email address(es), if:

1. You’d like us to import your works, but you need the notification sent to a different email address than you used on the original archive.
2. You already have an AO3 account and have imported your works already yourself.
3. You’d like to import your works yourself (including if you don’t have an AO3 account yet).
4. You would NOT like your works moved to the AO3, or would NOT like your works added to the archive collection.
5. You are happy for us to preserve your works on the AO3, but would like us to remove your name.
6. You have any other questions we can help you with.

Please include the name of the archive in the subject heading of your email. If you no longer have access to the email account associated with your The Pinky and the Brain Page account, please contact Open Doors and we’ll help you out. (If you’ve posted the works elsewhere, or have an easy way to verify that they’re yours, that’s great; if not, we will work with the The Pinky and the Brain Page mod to confirm your claims.)

Please see the Open Doors Website for instructions on:

• importing your works to the AO3
• adding your works to the new collection The Pinky and the Brain Page

If you still have questions…

If you have further questions, visit the Open Doors FAQ, or contact the Open Doors committee.

We’d also love it if fans could help us preserve the story of The Pinky and the Brain Page on Fanlore. If you’re new to wiki editing, no worries! Check out the new visitor portal, or ask the Fanlore Gardeners for tips.

We’re excited to be able to help preserve The Pinky and the Brain Page!

– The Open Doors team and James

Commenting on this post will be disabled in 14 days. If you have any questions, concerns, or comments regarding this import after that date, please contact Open Doors.

https://www.transformativeworks.org/the-pinky-and-the-brain-page-is-moving-to-the-ao3/

https://www.transformativeworks.org/?p=268665